LABP u k O: Romantic (Dis) Illusion # 3

28.8.09

Romantic (Dis) Illusion # 3

Alexia de Ville de Goyet (1982, Belgium) is a young artist living

and

working in London. In her work, formal research and experimentation with the narrative codes are essential. Her practice is articulated through video, extending itself also to photography, drawing, installation, and performance. Writing plays an important role in her work, especially in her videos where texts, carried by her or the actors’ voices, reveal an interrogation on the self and the other.
By using personal, intimate stories, she puts the accent on the loneliness in the modern society, seen in her work as a fatality.
This concern is central in her research and leads to a disappearance of the body.

alexouchis@hotmail.com

London | Brussels | Barcelona

http://alexiadeville.blogspot.com/

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Bicycles can be categorized in different ways:

E.g. by function, by number of riders, by general construction, by gearing or by means of propulsion. The more common types include utility bicycles, mountain bicycles, racing bicycles, touring bicycles, hybrid bicycles, cruiser bicycles, and BMX Bikes. Less common are tandems, lowriders, tall bikes, fixed gear (fixed-wheel), folding models and recumbents (one of which was used to set the IHPVA Hour record).
Unicycles, tricycles and quadracycles are not strictly bicycles, as they have respectively one, three and four wheels, but are often referred to informally as "bikes".

(...) fashion, eidos, archē, telos, energeia, ousia |essence, existence, substance, subject|

(...) the entire history of the concept of structure, before the rupture of which we are speaking, must be thought of as a series of substitutions of centre for centre, as a linked chain of determinations of the centre. Successively, and in a regulated fashion, the centre receives different forms or names. The history of metaphysics, like the history of the West, is the history of these metaphors and metonymies. Its matrix [...] is the determination of Being as presence in all senses of this word. It could be shown that all the names related to fundamentals, to principles, or to the centre have always designated an invariable presence – eidos, archē, telos, energeia, ousia (essence, existence, substance, subject), alētheia, transcendentality, consciousness, God, man, and so forth.